In Coralie Fargeat's new feminist horror movie The Substance, hazardous social appeal specifications are actually the genuine monsters. They (female objectification, the disposal of "the old," the expansion of a sector built on body system adjustment) nourish a monster of a cycle that leads Demi Moore's fading television personality https://thebloodroseclips.pennywiki.com/4169385/the_substance_2024
The Substance
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